blank blank blank blank
blank
   Microphones       
blank
blank blank blank blank
blank blank blank
blank blank blank blank
blank
blank blank blank blank
blank blank blank
blank

blank
blank blank blank blank
blank blank blank
blank blank blank blank
blank
blank blank blank blank
blank blank NEW PRODUCTS


VINTAGE PRODUCTS


PRODUCT FEATURES


REVIEWS


TIPS AND TECHNIQUES


BASICS


ONLINE RESOURCES



blank
blank

blank
blank blank blank blank
blank blank blank
blank blank blank blank
blank
blank blank blank blank
blank blank


Radio
Broadcast Engineering
Broadway Sound Master Class
Electronic Musician
Entertainment Design
Lighting Dimensions
Millimeter
Mix
Onstage
Remix
Sound & Video Contractor
Staging Rental Operations
Video Systems
Primedia Business

blank
blank

Beyerdynamic

MixGuides Microphones, May 14 2004

Print-friendly format E-mail this information








BEYERDYNAMIC MC930
October 2002—This high-quality, small-diaphragm condenser features a wide 40-20,000Hz response and 71dB signal-to-noise ratio. The switchable, 6dB/octave, 250Hz low-cut filter reduces popping noise when close-miking. With the WS101 windscreen and -15dB switchable pre-attenuation, the MC 930 can also be used for handheld vocals. Its cardioid pattern offers high gain-before-feedback and eliminates noise from the rear, making it suitable for studio, live or contracting use.


BEYERDYNAMIC MCE494
October 2002—Beyerdynamic has introduced a novel miniature microphone—the MCE 494, designed to be used by journalists and conference delegates, and in other dialog-acquisition applications using semi-pro recording media, PDAs or laptop computers. The mic is designed to improve the response characteristics significantly over the microphones fitted internally in such devices, transforming the audio quality and making it suitable for broadcast.


BEYERDYNAMIC MC 930
July 2002—Unveiled at AES Munich, Beyer's cardioid MC 930 condenser is optimized for piano, percussion, brass and overheads, and offers high-end performance at a low price.


BEYERDYNAMIC OPUS 81
October 2000—Advanced technology has produced a new breed of microphones using condenser elements for a wider and more linear frequency response. The Opus 81 is appropriate for vocals or instruments onstage or in the studio. The element withstands sound levels of up to 138 dB without a loss of performance. Artists preferring a crisp, "transparent" quality will rave about the Opus 81. Frequency response: 50 to18k Hz; cardioid polar pattern; 12-48V phantom power. To read the review, click here.


BEYERDYNAMIC OPUS 51
October 2000—The Opus 51 is designed for instrument sound reinforcement and studio recording. Using its boundary effect, this microphone captures direct and reflected sounds from an instrument in perfect balance and at an equal level, taking the guesswork out of microphone placement. Perfect for use with piano, kick drum or inside a double bass. Frequency response: 30 to 20k Hz. Semi-spherical polar pattern and 11-52V phantom power.



© 2009, Primedia Business Magazines and Media, a PRIMEDIA company. All rights reserved. This article is protected by United States copyright and other intellectual property laws and may not be reproduced, rewritten, distributed, redisseminated, transmitted, displayed, published or broadcast, directly or indirectly, in any medium without the prior written permission of PRIMEDIA Business Corp.

Get Copyright Clearance Want to use this article? Click here for options!
© 2009, PRIMEDIA Business Magazines & Media Inc.

Print-friendly format E-mail this information
blank
blank blank blank blank
blank blank SITE SEARCH blank
blank blank blank blank
blank
blank blank blank blank
blank blank
blank
blank


MixLine E-newsletter
MixLine Live
Sign Up Now
MixLine Archive
MixLine Live Archive

blank









blank
blank