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TIPS AND TECHNIQUES
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Recording Piano, November 2003
May 17, 2004, 06:11 p.m. ET, MixGuides Microphones
Five Engineers Weigh In on Capturing the 88s
Recording the Band, July 2003
May 17, 2004, 06:22 p.m. ET, MixGuides Microphones
Simple Reference or Tomorrow’s Release?
Recording Vocals From A to D, February 2003
May 17, 2004, 06:29 p.m. ET, MixGuides Microphones
Top Engineers Discuss Producing Vocal Tracks With DAWs
Recording Vocals, November 2002
May 17, 2004, 06:24 p.m. ET, MixGuides Microphones
Tips and Techniques From Four Top Engineers For our annual look at vocal-recording techniques, we chose...
Location Recording…Real Time, September 2002
May 17, 2004, 05:14 p.m. ET, MixGuides Microphones
A Glimpse Into the World of Production Sound Mixers
The Phantom Menace, August 2002
May 17, 2004, 05:30 p.m. ET, MixGuides Microphones
Understanding the Power Within
The Big Bang, August 2002
May 17, 2004, 05:45 p.m. ET, MixGuides Microphones
Drum-recording techniques have undergone dramatic changes over the years, in part because of the options afforded by virtually unlimited track counts...
Gorillas in the Pit, September 2001
May 17, 2004, 04:46 p.m. ET, MixGuides Microphones
Foley for Planet of the Apes
The Human Element, September 2001
May 17, 2004, 06:43 p.m. ET, MixGuides Microphones
Top Engineers on Recording Vocals
Tricks of the Trade, April 2000
May 17, 2004, 07:05 p.m. ET, MixGuides Microphones
Using Lavalier Microphones
Recording the Voice-Over, April 2000
May 17, 2004, 06:47 p.m. ET, MixGuides Microphones
To the uninitiated,recording an announcer or "voice-over" artist would seem to be relatively simple compared to other things audio. But for those who have done it, it's a creative/technical task not to be taken lightly.
The Changing Landscape of Orchestral Recording, November 2000
May 17, 2004, 05:21 p.m. ET, MixGuides Microphones
Once upon a time, orchestras were recorded using two or three microphones. No mixing was ever done after the fact, so the entire production hinged on the performance, the choice and placement of the microphones, and the quality of the recording medium.
Capturing the Keyboards, September 1999
May 17, 2004, 04:32 p.m. ET, MixGuides Microphones
Some Practical Advice for Recording Mellotrons, B3s, Pipe Organs and Esoteric Synths
Recording Drums, December 1998
May 17, 2004, 05:37 p.m. ET, MixGuides Microphones
Tips From Four Top Pros
Recording Vocals, March 1998
May 17, 2004, 06:38 p.m. ET, MixGuides Microphones
If you recall the classic popular vocal recordings that have endured over the decades, the primary element that has helped get the magic across was not a cleverly gated, million-dollar drum sound, but rather a vocal performance that communicated something essential and touched countless listeners.
Getting the Best From Lavalier Microphones, January 1998
May 17, 2004, 04:53 p.m. ET, MixGuides Microphones
Experts Share Their Tips
Vocal Recording Masters, April 1999
May 17, 2004, 07:08 p.m. ET, MixGuides Microphones
In Their Own Words
Recording the Audience, January 1999
May 17, 2004, 05:37 p.m. ET, MixGuides Microphones
Tips on Microphone Selection and Positioning, Or How to Aim Shotguns at People and Get a Good Response
Acoustic Ensemble Recording, July 1998
May 17, 2004, 04:15 p.m. ET, MixGuides Microphones
Tips From Nashville’s Best
Recording Piano, November 1997
May 17, 2004, 06:13 p.m. ET, MixGuides Microphones
How Do You Capture the Full Range of the Musical World’s Most Versatile and Dynamic Acoustic Instrument? Four Top Pros Share Their Secrets
Recording Guitar, July 1997
May 17, 2004, 05:54 p.m. ET, MixGuides Microphones
Tips From Five Pros
Recording Jazz Combos, June 1997
May 17, 2004, 06:01 p.m. ET, MixGuides Microphones
Five Tales By Three Writers
Foley Recording, May 1997
May 17, 2004, 04:50 p.m. ET, MixGuides Microphones
In an age where much of what we see in movies and on television has been shot on either a soundstage or in a noisy location, then combined with computer-generated images, Foley recording has become increasingly important as a way to give audiences a sense that what they are seeing is realistic and believable.
Sound Effects Recording, April 1997
May 17, 2004, 06:56 p.m. ET, MixGuides Microphones
The world is full of sounds that are too often taken for granted. Those of us who spend huge chunks of our lives in studios and listening rooms, analyzing the soundstages and wet and dry properties of a particular musical recordings, rarely take the time to focus our awareness and appreciation of the natural sonic richness that surrounds us every day.
Recording Vocals, February 1997
May 17, 2004, 06:32 p.m. ET, MixGuides Microphones
Thoughts From Both Sides of the Microphone
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